PROVENANCE: Stefano Bardini, Florence, acquired in 1902; Bardini Sale, American Art Galleries, New York, April 23-27, 1918, no. 451 (repro.); Bruno Tartaglia, Rome; Acquavella Galleries, New York, 1962; BJU, 1962.

Space and motion bring this depiction of Christ’s torture to life. The overlapping figures create an illusion of depth; the soldiers actually seem to be surrounding Christ in a spacious judgment hall. In addition, their twisting poses and muscular bodies create patterns of form and color that make the figures seem to move. The viewer can almost see the soldiers strike Jesus and hear the crack of their whips.

Signorelli’s use of anatomy and perspective reflect the influence of Antonio del Pollaiuolo and Piero della Francesca. Signorelli’s art inspired the later brilliant work of Michelangelo, who borrowed motifs for the Sistine Chapel.